Shaeron Caton-Rose collagraphs for Grenfell

My prints are made using a collagraph method with flowers that I have saved from the bins in graveyards, tokens of remembrance that have been discarded. I have distressed the plates with fire to emulate the Grenfell experience and each plate is made to the dimensions of the Grenfell tower. There are 12 plates, one for each month of the year’s anniversary we are marking.

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Shaeron Caton-Rose. Flowers for Grenfell, 12 collagraphs 2018

“I find it appalling that in our developed “First World” country, people are still homeless not because of a natural disaster but one created by the greed and carelessness of an increasingly unfair system.

On my way to work, I walk past a graveyard. Every week someone puts down flowers on an unmarked area, come rain or shine. I find their commitment to remembering their loved ones moving. Let us remember those loved ones who were lost in Grenfell with an equal commitment to justice.”

You can buy one of these collagraph prints by Shaeron Caton-Rose. They are available at a special price of £30 each. ALL proceeds from sales go to Justice4Grenfell. Please contact us here

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Pat Harvey Monoprints for Grenfell

As a printmaker I usually use a combination of different printing techniques with hand finished drawing and additional colour.  My images for Keepsake have a surface print background using embossed wallpaper. Memories of the past and of childhood often involve a remembered wallpaper pattern on a bedroom wall. The sugar bowl is depicted by a drypoint on plastic plate. Other parts of the images are created with marker pen.

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Pat Harvey. Special Occasion, monoprint 2018

“The idea of the Keepsake project made me think about those things we might value and want to hang onto because they memorialise how we came to be who we are. I decided that one of my images would relate to a special family event. For such events there is often the one-off ceremonial garment. I still have fragments of my mother’s wedding veil from the 1930s, but for this project the loss of children’s lives made me think in particular of a baby’s baptism bonnet. Baptism is essentially a denominating event which marks the newcomer formally entering their cultural group.”

 

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Pat Harvey. Everyday, monoprint 2018

“I wanted my second image to depict an ordinary household object which could be elevated in a particular family to a special status. My image is of a glass sugar basin and sugar spoon. This particular basin was my mother’s, I saw it every day a child, as did my children who went to their school from her home. It is probably nearly 100  years old. I showed the image to my son, now in his forties and settled in the USA for more than 20 years and asked him if he knew what it was and he answered instantly “Nanna’s sugar bowl”. How fortunate are we that this ordinary item I took with me when my mother died is still our sugar bowl. I have recently wondered what seemingly ordinary items make their way in the backpacks of refugees across continents and what will be the stories told about them.”

If you are interested in supporting this project by purchasing one of Pat Harvey’s two monoprints at the special price of £95 each, please get in touch here